The film's first half is an uneven string of scenes that offer little setup and sometimes confuse.. It portrays Williams in a generally sympathetic light without whitewashing his vice-loving, belligerent ways or mythologizing them in a bid for postmortem psychoanalysis.. The film can't really function as a proper meditation on its subject - because he's not really its subject.. Nothing gets explored at length, and some key points are glossed over altogether, namely Hector's out-of-wedlock son an...
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